Here we have the best Spaces Quotes from famous authors such as Richard Rogers, Munira Mirza, Jake Paul, James Turrell, Faith Salie. Find the perfect quotation from our collection.
Girls must understand not only their moral obligation but their power to be allies to each other at parties and other potentially unsafe spaces for girls.
Silence marks time, saturates and shapes African-American art. Silences structure our music, fill the spaces – point, counterpoint – of rhythm, cadence, phrasing.
I’m not really good in public spaces, I’m not really good with people, I’m not really good at a lot of things.
When you hear anyone policing the bodies of trans women, misgendering and othering us, and violently exiling us from spaces, you should not dismiss it as a trans issue that trans women should speak out against. You should be engaged in the dialogue, discourse, and activism that challenges the very fibers of your movement.
Terrorists, in ungoverned spaces, disseminate poisonous propaganda and training materials to attract troubled souls around the world to their cause.
Processionalism is primary – how you get from one place to another, the relationships and effects of spaces as you move about in them. That’s worked out awfully well in the State Theater. I’m a ‘straight-in’ man myself; I’m too nervous, I like to know where I am. I also like to know where I’m going.
Ultimately we need to recognize that while humans continue to build urban landscapes, we share these spaces with others species.
What is astonishing is that globalised technology, like Whatsapp and Viber, really gives a lot of leeway to negotiating spaces and to keeping one’s identity. So people are able to be more receptive as a gay community to be part of an environment that is going to challenge the law.
If you want to play dominant football, you need to get the ball, think fast, and play quick combinations in small spaces.
I believe in empty spaces; they’re the most wonderful thing.
When you have a concussion, one of the symptoms that is common is anxiety. Imagine having the normal amount of anxieties that everybody shares – about life and meeting people in social spaces, whatever. Imagine that being multiplied by 10, 20. And so your worry over people’s perceptions of you multiplies.
Architects create spaces that accommodate human activity. As opposed to many of its contemporary counterparts, Dune‘is not so much focused on the styling of that activity, as on the supporting of it.
Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our dreams. More often than not, they are sectioned and controlled purviews of the radically wealthy, surrounded by clusters of have-nots.
The city of Rio de Janeiro is setting an example to the world of how to recover quality urban spaces through drastic intervention and the creation of cultural facilities such as the Museum of Tomorrow.
Many Muslim parents are authoritarian, which leaves young men and women with limited spaces to express themselves. Self-expression and autonomy are regarded as symptoms of ‘Westernisation.’
Two-thirds of all growth takes place in cities because, by simple fact of population density, our urban spaces are perfect innovation labs. The modern metropolis is jam-packed. People are living atop one another; their ideas are as well.
Web publishing can create common spaces; it all depends on how we, the readers and sometimes the producers, react to technological change. If we sort ourselves into narrow groups, common spaces will be in big trouble. But there’s no reason not to have common spaces on the Internet. There are lots of them out there.
My writing is called exotic or avant-garde because I write about rural places. Has it really come to this, that if you write about the country you are avant-garde? How did this happen? Modern agriculture and spaces are still so relevant.
I routinely interview college students, mostly from top schools, and I notice that their brains are like old maps, with lots of blank spaces for the uncharted terrain. It’s not that they lack for motivation or IQ. It’s that they can’t connect the dots when they don’t know where the dots are in the first place.
At the end of the 1960s, I was part of the downtown theatrical movement in New York that was making work in alleyways, garages, gyms, churches, non-traditional spaces. The idea was to get away from the illusion of the conventional theatre. But then I thought, what’s wrong with illusion?
The gay community has had a sometimes tumultuous relationship with non-queer people coming to their shows because it was tourism, like using the queer spaces as a form of comic relief or entertainment.
Sometimes people of color walk into these spaces that are dominated by the dominant culture, and we have to be better, not make as much trouble.
I love church buildings, particularly cathedrals, and I like living in spaces that remind me of music or evoke that creative energy.
We’re producing spaces that accommodate human activity. And what I’m interested in is not the styling of that, but the relationship of that as it enhances that activity. And that directly connects to ideas of city-making.
A colour is a physical object as soon as we consider its dependence, for instance, upon its luminous source, upon other colours, upon temperatures, upon spaces, and so forth.
People are understanding what it means to really create a space that feels like a direct reflection of you and I think with brands like Living Spaces, you can really start to take those chances for the first time.
Indian films have this obsession with hygienic clean spaces, even though the country’s not so clean. They’re either shot in the studios or shot in London, in America, in Switzerland – clean places. Everywhere except India.
And the beautiful open spaces, the forests of Pennsylvania, the recreational uses that come from having these green open spaces and forests, they contribute dramatically to the level of our tourism, dramatically.
Of course, museums and galleries and art spaces will continue to ground the art world. But certainly the public – as well as artists – also benefit when art is encountered in other everyday situations.
I think we will find more and more ways in which technology invades our artistic spaces, so music is something you will need more than ever because it is there in time and in space and for that moment only.
When I came into stand-up, I found a certain safe space of intellectualism, of camaraderie, of excellence that really has always been natural to me but always felt foreign in the other spaces I’ve been in.
You’re torn between wanting to fill in all the spaces and knowing that’s really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don’t understand the process?
Coronavirus is constantly attacking society’s vulnerable classes and spaces. We must shake off the fantasy that we can go back to the past we were accustomed to.
When I started writing poetry, it was always in very hip-hop influenced spaces: Someone would teach a Nas song side-by-side with a Gwendolyn Brooks poem, and we’d talk about the connections between those things.
We need to afford people from minority groups and marginalized communities the chance to inhabit spaces they’re often held out of because of stereotyping.
My place in Chicago is a 105 year old house, but I really like contemporary spaces too, so it’s refreshing and fun to be in a space where you can do contemporary things.
Anywhere in the world, there is royal food, and there is commoner food. Essentially, eat at the restaurant or eat on the street. But Indian food evolved in three spaces. Home kitchens were a big space for food evolution, and we have never given them enough credit.
I like to attack the spaces, move around a lot and make cuts.
I’m sober now, but I was partying a lot. Part of it was because gay bars felt like safe spaces… a place where you feel safe and comfortable in your own skin.
I like to be in big open spaces with high skies.
You can get claustrophobia and agoraphobia – a fear of wide, open spaces – simultaneously on a spacewalk.
Preserving parks and open spaces is a winner because it doesn’t need to be explained to everyday Americans.
I’ve seen what power women have in unification, and I would love to create co-working spaces and networks for female entrepreneurs.
Cities could open up their property and assets to sharing economy apps that make it easier to find parking spaces or homes for rent. By aligning private-sector incentives with the public good, cities will create confidence among taxpayers.
A few years ago, I realized I was decorating and designing my house around what was beautiful rather than practical for my family. When I made that realization, everything kind of clicked for me. I started being intentional about designing spaces with my kids in mind rather than picture-perfect rooms.
I’ll tell you this: You have to remember to chase and catch your dreams, because if you don’t, your imagination will live in empty spaces, and that’s nowhere land.
All of these really strong females making names for themselves in what were traditionally male-dominated spaces. And I’m not usually one to get too hung up on the male-vs.-female side of things, but it is interesting to see the dynamic shifting and it’s happening across the board. It’s cool to be a part of that.
With small spaces in particular you have to really follow the rule that if it’s not absolutely beautiful or absolutely functional, then get rid of it.
I think in the media we tend to deify people in these public spaces.
Racism is a perceptive error, and what you actually have to do is you have to get into spaces where you’re meeting people and perceiving them as human beings and not as racial stereotypes and myths.
The Tunisian blogger and activist Sami Ben Gharbia has written passionately about how U.S. government involvement in grassroots digital spaces can endanger those who are already vulnerable to accusations by nasty regimes of acting as foreign agents.
Each generation is trusted with protecting our open spaces and natural resources to pass them on to future Americans to enjoy.
I have a platform, and I can help. I can be in spaces that reporters will never be in because I’m a protester.
‘Superbetter’ looks more like a social media platform or a social network than a typical video game. You know, there aren’t any 3-d spaces to explore. You don’t have this avatar that you’re building up. It’s more about thinking like a gamer.
People need a space that they can go to make a conference or Skype call. It’s important to create those spaces and create a company culture that supports those spaces.
The wealth-income ratio in the United States has always been lower than in Europe. The main reason in the early years was that land values bulked less in the wide open spaces of North America. There was, of course, much more land, but it was very cheap.
Loft living is the antithesis of suburban domesticity, if only because the open spaces don’t easily accommodate family life. Lofts also offer residents the opportunity – and responsibility – to structure their own space to reflect what’s important to them.
Art is more than a series of images that are disembodied. Art is objects that live in real places, economies, spaces, architecture.
Drake went through my exhibition. I did meet him in Los Angeles, and he was in the spaces that I did do there, and has some images from that.
It’s great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
In many professional spaces, women are fighting twice as hard as men to get to the same place and get the same opportunities. If you then speak out about your experience of sexual harassment, there is every chance you will not be sent on certain assignments.
As a trans person, I don’t feel welcome in most public spaces. Especially now with Trump, I don’t feel faith or recognize that we’re protected by the government or administration.
I dont have anything against walls. You know what it is? I like open spaces.
While I was in Astana, a ballet master from St. Petersburg’s Mariinsky Theatre staged a performance of ‘Giselle’ in the opera hall. It was one of only a few performances to grace Astana’s concert spaces in many weeks, and tickets were impossible to come by.
I’d never really experienced the West before moving to Colorado. The East Coast, where I grew up, has a lot of big cities, like Boston and New York, and is more densely populated, and I instantly fell in love with the big open spaces of the West, where you can see not just for a few miles but for a few hundred miles.
I grew up in a pretty small town in Texas, population 8,000, and we had a lot of open spaces.
Movies have always been spaces of refuge for me. For a few harmonious hours, I could escape my reality of being a girl living on the margins.
I’m concerned that if we don’t do more to protect our open spaces and reduce climate change, there will be devastating and lasting impacts on us and future generations.
When you think of technological revolution, you probably think of geeks in cool coastal spaces like the Google campus, or perhaps of math wizards on Wall Street. But one source of rural prosperity is the adoption of radical new technologies – and a consequent surge in productivity.
We were the ones that from the beginning said that ‘Wide Open Spaces’ was a hit. ‘This is a hit, people are going to relate to it.’
We all – if we are honest with ourselves, we all have these dark spaces within our souls that we don’t always want to talk about or acknowledge.
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
I don’t know if it’s irrational, and I would never say this before, but I think I’m a little bit agoraphobic when I’m in huge crowds of people. I mean, it’s claustrophobic, probably – small spaces and large groups of people, anxiety rises for me.
Great American art needs the idea of uninterrupted spaces, like a loft, which itself is something very American.
I’m interested in creating a little sound world for songs, really crafting it, building it, and making it like a little doll‘s house with little things inside it, staircases and rooms and everything kind of relates to everything else. I’ve never seen it as drums, bass, guitar and vocals in very separate spaces.
I myself was born beside a river – the Avon in Sarum. So when I first encountered New York’s great harbor and the Hudson River as a teenager, and came to understand their historic canal and railroad links to the vast spaces of the Midwest, I felt both the thrill of a new adventure and a deep sense of homecoming.