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I think that there’s a lot more freedom in the low budget, the independent films where, unfortunately, you don’t have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often.
I can’t get that live and I don’t have the time to take the tape, after I’ve finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound.
It’s hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am.
I think that’s one of the things that has always put me in kind of an odd niche. It’s that all of my understanding of orchestral music is via film, not via classical music like it’s supposed to be. To me it’s the same, it doesn’t make any difference.
I’m looking for a feel and I have to find what that feel is before I can move on from there. I’m not necessarily catching stuff in such a simple way – I don’t need to. So, I’m going for something else.
There’s kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don’t know exactly what that is. So, it’s hard for me to answer that question.
I don’t see myself necessarily having a burning desire to write a symphony.