Top 250 Print Quotes

Wearing a bold print gets harder as you get older. It’s safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

Nothing in fine print is ever good news.

DC used to print up all of their pages, they were the only company that did it.

I feel like my competition is everything else that’s competing for people‘s attention, not just other print magazines, newspapers and cable. It’s your kid‘s report card and the games you want to play, all the things that compete for people’s time.

Maybe a lot of people probably didn’t know this, but I spent the majority of my career in print journalism.

I love a wild animal print. Not just a leopard print – I’m talking about a tiger or zebra print, too.

Accuracy to a newspaper is what virtue is to a lady; but a newspaper can always print a retraction.

Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere… You don’t have to dress up, for instance, and you can’t hear them boo you right away.

The wrap dress is the most traditional form of dressing: It’s like a robe, it’s like a kimono, it’s like a toga. It doesn’t have buttons or zippers. What made it different was that it was jersey; therefore, it was close to the body and it was a print.

In my ideal world, my next novel would have a first printing of, say, 2,500 hardcovers for reviewers, libraries, collectors, and autograph hounds. The publisher could print more copies if they get low. And simultaneously, or six weeks later, the book would be available in paperback.

The letters TSS that I once read in the fine print buried on the bottom of tampon boxes soon came to define me. TSS – Toxic Shock Syndrome: a potentially fatal complication of certain types of bacterial infections.

When the people perceive that the print media is reporting what they believe is correct, then they tend to read the print media and to follow news on the television.

It’s tough when take 1 is technically okay and take 2 has better acting. Out here (Hollywood) they print the first one. That’s the one where we all hit the mark on the floor and who cares about the acting.

I started small with commercials and print.

I know the Federal Reserve Bank can continue to print more and more money… but city and state governments cannot.

In the ’30s, the Keynesian stuff worked at least in the sense that you could print money without inflation because there was all this productivity growth happening. That’s not going to work today.

I had the traditional print view of TV journalists: Those are pretty people who get paid a lot of money and don’t do any work. It turned out I was wrong.

All the states are required, either by constitution or by statute, to have balanced budgets – they’re not able to print money. So they have to focus on establishing priorities.

One way an author dies a little each day is when his books go out of print.

The net‘s future is far from assured, and history offers much warning. Within a few decades of Gutenberg’s creation, princes and priests moved to restrict the right to print books.

In print, people can do anything to you. Everything you do is picked apart. People love it; they’re waiting for you to make a mistake.

I have both exploited and been exploited in the print field.

I used to go and cop stacks of blanks CDs and sit there and burn copies of my mixtapes and print up my own mixtape covers and post up in downtown Oakland and Telegraph in Berkeley and literally was selling my mixtapes for five bucks, hand-to-hand.

One, I have a wonderful publisher, Black Sparrow Press; as long as they exist, they will keep me in print. And they claim they sell very respectable numbers of my books, so I guess, and it’s true, every place I go, my books are in libraries and on bookshelves.

I’m very lucky. I’m very fortunate that my books have never gone out of print – none of them.

These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago… I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.

The moment of the print button for biology is nearing. Effectively, this could also mean that in a not-too-distant future, smart pharmacology will permit us to receive a continuous supply of antidepressants or neuroenhancers every time our dopamine level drops.

I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.

Technology has already opened the door a bit wider for filmmakers, with smaller digital cameras making production less cumbersome. Social media is allowing self-distribution, and girl groups like Spark Summit are leading the way in calling for fewer Photoshop image alterations of girls in print media.

I am a very linear thinker, so I write beginning to end. I write hundreds of pages per book that never make it into print.

Every time that I wanted to give up, if I saw an interesting textile, print what ever, suddenly I would see a collection.

The Bill of Rights isn’t some legalistic fine print. It was written to make our lives freer, more prosperous, and happier. By forsaking it, America has become no better than any other country in the world.

A visit to a bookshop will be a difficult one if you’re looking for any picture book in print that is more than 50 years old.

Online advertising is increasingly only a fraction of what is being lost from print advertising, and it is under constant pressure.

I try to lie as much as I can when I’m interviewed. It’s reverse psychology. I figure if you lie, they’ll print the truth.

A publisher – and I write as one – does far more than print and sell a book. It selects, nurtures, positions and promotes the writer’s work.

Everyone in our clique rocks a black bandana with the print ‘EST 19XX’ on them 24/7. As the underdog, you are expected to lose or give up and ‘wave the white towel,’ so that is why our flag is black. We never give up – never surrender. EST means ‘Everyone Stands Together.’ The ’19XX’ is to represent any age.

We don’t know where print is going.

Even conservative columnists tend to prefer humor that isn’t fit to print.

There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. If I do my job correctly that shouldn’t be visible at all, it should be transparent.

If you sign a big contract, everybody knows. They’re going to print it in the paper. It’s on ESPN. You can go online and check player salaries and all that. You’re a target.

I love print comics.

My best days do seem like a distillation of all that was best about school. Write a story! Paint a picture! Write a poem! Make a print!

I see publishers bemoaning their fate and saying that this is the end of publishing. No! Publishers will recreate themselves. Some of that comes from my experience as a print publisher.

When the Internet came along, the first thing I did was look up Wu-Tang so I could print out their symbol and glue it onto my skateboard.

I did a twenty foot print and John Cage is involved in that because he was the only person I knew in New York who had a car and who would be willing to do this.

I am a print addict. I have an ebook and a computer but I remain hooked on print.

I’m doing TV interviews, I’m doing many, many print interviews.

The tone of good web writing grows out of email. It’s more direct, personal, colloquial, urgent, witty, efficient. It doesn’t waste your time. It reflects that engagement, responsiveness, and haste of web surfers, as opposed to the more general passivity of print readers.

There is a continuous stream of opinions on governance issues expressed daily, not only in our Parliament and in the print media, but also on talk-radio and social media.

Personally, as a print journalist, I always found the most interesting stories to be the ones hacks talked about in the bar after work.

I tend to lean toward a more minimal aesthetic, so when I use wallpapers in my interiors, I like for one or two prints to be the star of the show. I would recommend being careful in your use of strong prints so the room doesn’t get too busy. Use one print that dominates and one as an accent.

My mother and father definitely encouraged me. People used to tell my mom that I should be in commercials, and then everything kicked off from there, and my first gig was some print work.

The flood of print has turned reading into a process of gulping rather than savoring.

They’ve been irrelevant to me, the print media, because my link does not depend upon the menial minds of the scribblers in Canberra or anywhere else.

My company, Against All Odds Productions, has done print on demand; we were the first to do a book with a CD-ROM in the early 1990s. We do custom covers. It’s always fun to do something new.

After I’d preached a message on Sunday night, I’d print it up.

I recently found out that the print of my first film ‘Utrada Rathri,’ released in 1978, is damaged beyond repair. So the only way to relive earlier films is through books based on the screenplay.

I didn’t come to L.A. thinking, okay, I’m going to be an actor, so my progression was just kind of organic, starting in print modeling, which I was far less successful in, then acting in television commercials.

I like to hold a book. When someone sends me a script, I ask for a hard copy or print one out.

I’m sad to see celluloid go, there’s no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you’d see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it’s digital.

I’ve not chosen to learn to read print. I can read simple words but it’s so tedious.

I don’t want to see the end of popular print journalism.

We print 37 million copies, and we found out about the unfortunate news as we were putting the issue to bed.

Much is written about the Batman because he is publicly exposed in print. Very little is known personally about his creator, because I haven‘t given out that many interviews.

I think the media are so hypocritical a lot of the time in the way they chastise something just so that they can print it again.

The advent of Kindle, the iPad, and other portable reading devices has so far simply resulted in turning analog print into digital print while keeping the same linear prose format.

Print is very important because I think there is nothing like the tactile sense of picking up a magazine.

Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print.

I’ll still do print comics; as long as there’s a market, I’ll still be there. I just have a hard time believing that’s the future.

I was in Minnesota, where I was born, and I did print ads and commercials. And that was always cool ’cause when you’re little, you can only work two hours a day, and it changes.

I don’t think there will ever be a permanent truce, but I believe the media needs to be more careful and be willing to count to 10 before rushing on the air or into print.

I love print fiction, but sometimes when I’m reading a good graphic novel or manga, I find myself envying those who work in an illustrated format.

For 10 years, I was my own label, my own promoter, my own PR. We borrowed money to print our CDs.

I prefer to read print books. Maybe I’m just a little old-school. I do read e-books.

Eventually, if you had a printer that is IPP compliant, that printer will have a Web address and anyone around the world who can get on the Internet can print to that URL.

I don’t think Albert Einstein could have devised an equation to guide the leader of the free world during the wildly tumultuous post-9/11 realities without a modicum of help from the opposition party and the vast majority of the print and electronic media.

I think it’s a lack of journalistic integrity to print things with anonymous sources.

Print and television journalism are very different, and it’s not like one is better than the other.

I’ve been really upset sometimes when I’ve been misquoted. And it’s the one thing they use in big print. Or it’s taken out of context. Thoughts are fluid and words are sticky. That’s the thing.

As long as I don’t write about the government, religion, politics, and other institutions, I am free to print anything.

I did learn one great lesson from a past relationship, and that was to never talk about relationships in print again because I’d rather live my private life than read about it.

Print is at the very, very top in the fashion business – of course it is.

I started as a print reporter.

In traditional 3D printing, the gantry size poses an obvious limitation for the designer who wishes to print in larger scales and achieve structural and material complexity.

Well, the problem of the federal government is that they print money and go in debt. That’s their national policy, Democrats and Republicans it doesn’t matter. And this is where I differ.

I can’t name three first-rate literary critics in the United States. I’m told there are a few hidden away at universities, but they don’t print them in ‘The New York Times.’

It’s worth knowing that there’s very different sets of regulation for the print press and for broadcast media. They’re different things, particularly during campaign periods.

I became a Christian within a fundamentalist church. I saw ‘A Thief in the Night’ on a 16 mm. print when I was in the eighth grade, and I got the whole scare speech from our pastors. ‘Do you want to be left here, left behind, for the Tribulation? If not, then come forward.’

In a way, film and television are in the same sort of traumatic trance that print journalism is. The technology has outpaced our comprehension of its implications.

One-newspaper towns are not good because all the surviving newspaper does is print money. They make 25 percent on their money every year, and if they go down to 22 percent, they start laying people off.

That said, I can’t emphasise enough – and I hope you print this – that I absolutely don’t judge anybody at all who has an abortion, nor do I think they are murderers, nor do I think they are baby killers.

Early in my publishing career, someone told me I’d need to have five books in print before I could quit my job as a journalist. Turns out it was closer to 10 books. It also turns out that while it’s great to see my titles on bookstore shelves, my best customers are schools and libraries.

There are some things the general public does not need to know and shouldn’t. I believe democracy flourishes when the government can take legitimate steps to keep its secrets, and when the press can decide whether to print what it knows.

If I read the small print, and I see that what I love to taste has pantonaponamene or fake smeinlioaimine, then I have to hide in my room when I eat it. I’m still gonna eat it, it’s just gonna be ‘Don’t come in here!’

Print is definitely more nutritious. When I leave a website, I’m hungry again an hour later – especially the Chinese websites.

As editor-in-chief of the ‘Guardian‘ and the ‘Observer‘, my job is to ensure that our independent journalism continues to be enjoyed by as many readers as possible and that our print newspapers make a positive financial contribution to securing a sustainable future.

When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.

Somebody brought up the idea of reissuing ‘Tribute To 1’ because it was out of print on vinyl.

I always try to manipulate the eye when I’m dressing myself or someone else. I don’t have an hourglass figure, so I’m always trying to give the illusion that I have one; bringing the eye to the waistline by adding a belt or having a heavier print at the bottom or at the top helps define your shape.

People set newspapers on fire; they use them for wrapping fish. The Internet does not have that property. What I don’t think we’ve gotten is that you can make things last longer than in print.

But, right now, the situation is that almost all of my writing is out of print.

We photographers deal in things which are continually vanishing, and when they have vanished there is no contrivance on earth can make them come back again. We cannot develop and print a memory.

After I finish writing a chapter, I’ll print it out, cut it up into paragraphs, and cut away any transition sentences. Then I shuffle all the paragraphs and lay them out as they come. As I arrange and hold them next to each other, very quickly a natural structure for the chapter presents itself.

Families rely on financial services more than ever, but those who need them most – who struggle to make ends meet – too often must contend with sky-high interest rates and tricks and traps buried in the fine print of their loan products.

Without always meaning to, I write really long short stories, 60-pagers, 90-pagers, pieces of fiction that are too long for all but the bravest magazines to print, and too short for all but the bravest book publishers to publish.

When I came to America, there were two kinds of women: women who looked serious and who didn’t wear color and print, and women who looked girly and feminine and like second wives.

I think someone like Jack Kirby, for instance, would suffer greatly in the transition from print to digital were he still around.

I’ll never put my memoirs in print.

The United States can pay any debt it has because we can always print money to do that. So there is zero probability of default.

Accuracy is to a newspaper what virtue is to a lady, but a newspaper can always print a retraction.

Print publications have to be as luxurious an experience as possible. You have to feel it coming off the page. You have to see photographs and pieces that you couldn’t possibly see anywhere else.

My men’s-underwear print ads are very popular!

I always give a print to everybody I photograph, and some of my subjects have told me they have a hard time hanging them up at home.

There isn’t much room for an outsider point of view in print any more.

I’ve got so much going on in my day job. And I’ve been around politics enough to know all the swirl that’s fit to print, and so I focus on the reality of the here and now.

I want children to learn to develop deep reading skills in the beginning in print. I believe the physicality of print is much better in the beginning for children, and then help them learn how to use their deep reading skills on digital medium.

This first print run of the first edition of my first novel, ‘When The Lion Feeds.’ back in 1964, is so rare it can fetch several thousand pounds at auction. I always wanted to be an author, and I decided to write about what I knew.

I have that huge print from Pollock by the piano because the influence is reciprocal. He was into hearing music while he created, and I sometimes do the opposite. I’m influenced by everything from an ant to a dream.

Novelists want to be published and need a publisher to decide to print 20,000 copies. So you need to entertain on some level. I want to reach out and connect.

It’s cheaper to buy and use and place ads on Facebook than it is to buy print and radio.

I have everything from leopard print slippers to leopard print sheets and pajamas.

One of the things that is counterintuitive about BuzzFeed is that there’s not a natural corollary to what we’re doing because it isn’t possible to distribute content through word-of-mouth in print.

Police blog or entertainment news, it’s just good to see your name in print.

I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.

Seeing your work in print is exciting, especially when you’re young. It’s that feeling that you have some effect on the world outside of your immediate neighbourhood.

I always wanted to have a career in print and as a broadcaster.

Once, I used to have the local reporter on the team bus and I’d tell him everything, so when he wrote about the club he was informed, even if he couldn’t print some things. Those days are long gone.

I broadcast games. I think there is a huge difference between print journalism and broadcasting. I don’t have to say, ‘sources close to LeBron James,’ five times a game. I can just put my name to it. I say what I believe. It doesn’t mean it’s right. It’s what I believe.

Hobbies of any kind are boring except to people who have the same hobby. This is also true of religion, although you will not find me saying so in print.

When we were cutting ‘Raging Bull,’ Martin Scorsese was watching ‘The Films of Hoffmann’ on a 16-mm print over and over and over again.

I still have the ‘New York Post’ delivered because it’s so garrulous and nasty and wonderful when you read it in print. Some things just don’t translate online.

No industry in living memory has collapsed faster than daily print journalism.

The power of the print reviewer is one of those urban myths. There have always been shows that slipped under the critical radar to become popular successes: ‘Tobacco Road’, ‘Abie’s Irish Rose’ and our old friend ‘Spider-Man’, which got the worst reviews in theatre history and is still apparently going strong.

Focused reading is so important, and I’m just as guilty as everyone. I have to force myself to slow down, often printing things out or using print as a medium for things that are most important or for things whose beauty would be lost if I use other modes of reading.

I joined another circle and the leader gave us a little leaflet in very small print, asking us to read it carefully and then come prepared to ask questions. It was a technical Marxist subject and I did not understand it nor did I know what questions to ask.

The problem with most digital comics is that you’re simply taking print material and adapting it. It’s like reading through a cardboard tube.

Friendship is a word, the very sight of which in print makes the heart warm.

If something comes on the radio or in print, I don’t think there are any facts to it at all until someone shows some proof.

You know what they say? They say, ‘The print media is dying‘ – who says that? Well, the media.

I used to print out lyrics from Nas songs and write my own lyrics in the same syllable count but with different words and different rhymes.

For my 50th birthday, I got ahold of a new print of ‘Saturday Night Fever.’ I see it much more as a tough coming-of-age movie than as a disco story.

When you’re making a print book in 2012, I actually think the onus is on you – and on your publisher – to make something that’s worth buying in its physical edition.

I’ve seen the people who talk about their love lives in print invariably have doomed relationships with the person they’re talking about.

When I found the book was condemned as soon as the book was printed, or rather as soon as it was set up ready to print, I held it in plates for a year nearly, waiting to see what would come out of all this discussion.

It’s so easy to print in the Midwest. You’re saving months in shipping and customs, so we have started printing a number of books there.

Lists are anti-democratic, discriminatory, elitist, and sometimes the print is too small.

I worked in the warehouse, and I would pick up orders. I would go to the computer screen, print off the order from a customer and then it would have where all the stuff was located in the warehouse. I’d go get a big gray cart, and you had to fill up these bins with all the parts. And it wasn’t air-conditioned in there.

Sarcasm doesn’t translate in print at all.

Since news breaks on digg very quickly, we face the same issues as newspapers which print a retraction for a story that was misreported. The difference with digg is that equal play can be given to both sides of a story, whereas with a newspaper, a retraction or correction is usually buried.

To be willing to sort of die in order to move the reader, somehow. Even now I’m scared about how sappy this’ll look in print, saying this.

I grew up in the ’70s and ’80s, at a time that I’d argue was the absolute golden age of American popular culture. Because not only did we have all of the fantastic new stuff in print and on screens, but we had a constant supply of everything that came before, as well.

I won’t do any print interviews anymore. No matter what I say, it gets distorted.

Rereading one’s own novels after many years is always a fraught business, but when a novel has fallen out of print – ‘The Very Model of a Man’ is the only novel of mine that has – and so crops up infrequently in conversations with readers or indeed with oneself, revisiting it can be perilous.

When you talk to women who were working as print journalists or in broadcasting in the ’50s, and then you talk to women who were working in the late ’60s, there’s an enormous difference. There had already been a huge transition. Then, of course, you get well into the ’70s and there were women with children working.

If we continue to print new paychecks at the rate we’ve been adding them, that mitigates a lot of the damage of higher gasoline prices.

When ‘Catch Me If You Can’ was published back in 1980, I never dreamed that it would become a bestseller, much less a major motion picture and now a big Broadway musical. What’s amazing about the book is that it has never gone out of print.

I consider it essential that the photographer should do his own printing and enlarging. The final effect of the finished print depends so much on these operations.

That’s my style – to mix a lot of print and pattern and put it all together.

If I print something out, I just spend all my time trying to find where I’ve put it down.

I know many older writers who were very successful and whose books are now out of print, so you have to go to antiquarian booksellers to buy their fifth or eighth novel or whatever it is.

I do a lot of revising on paper. Sometimes I think I should just write longhand – what I type reads very different once I print it out.

I feel like people associate us with the tropical Hawaiian print because, for a long time, we were wearing a lot of bright colors to exert our personality.

TV journalism is a much more collaborative, horizontal business than print reporting. It has to be, because of the logistics. Anchors are wholly dependent on producers to do all the hustling.

Over the years I must have spent thousands of hours silently brushing on the liquid coatings, preparing each sheet in anticipation of reaching the perfect print.

Anybody who’s spent thirteen or fourteen years in print journalism has a lot of stories he thinks were inwardly satisfying as far as preparation, understanding, and diligence.

The ‘Womanthology’ book got a lot of people jobs, inside and outside the industry, and I think stuff like that tends to be really effective. You have something in print that you can point an editor or a publisher to, and it makes a huge difference for a lot of people.

Several times I drew a critical cartoon and then, at the last moment, stopped myself from putting it out in print. I thought it would be misunderstood, be a politically incorrect thing to do.

I’m not going anywhere. You can print that wherever you want to. I’m here and I’m a Spur for life.

The assumption should be that we will not appear in print or the blogosphere. Having dinner should not be fodder for Facebook. And this is just as true for ‘public personalities‘ as it is for the average person. After all, even people in the public eye have a right to a private life.

If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.

A beautiful print is a thing in itself, not just a halfway house on the way to the page.

If someone tells you something is off the record, I don’t print it. If they don’t tell me something is off the record, then it’s fair game.

I think a lot of politicians, rightfully so, understand that their political futures are tied to how many times people see their names in print. The press is so accustomed to politicians wanting those things, it’s a surprise when somebody‘s like, ‘Whatever, I’m not really worried about those things.’

In our time, the curse is monetary illiteracy, just as inability to read plain print was the curse of earlier centuries.

The only thing of value I have in this life is my ability to tell a story, whether in print, orating, writing it down or having people acting it out. That’s why I’m always hoping society never collapses because the first ones to go will be entertainers.

People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. ‘The Magazine’ was designed from the start to be streamlined, natively digital, and respectful of readers’ time and attention.

People often think that reporters write their own headlines. In fact, they almost never do. The people who do write headlines are the copy editors who are the front and last lines of quality-checking in a newspaper before it goes to print.

Just as fighters you have to be smart, you have to read the fine print in your contract and you have to do what’s best for your family.

Sometimes when I read about my rebellion in print it sounds a little overrated.

One thing I often talk about in my business is that an eBook is not like a print book: it’s very, very different. It’s organic. It’s changing.

Print books have an amazing superpower because they don’t disappear when you’re done with them. Books on the shelf remind you that they exist.

My friend Danny Clinch, who’s a photographer, gave me a big, signed, numbered print of a photo he took of Eddie Vedder in Seattle. It’s hung in my writing room where I have posters of writers that inspire me. They’re all pointing at me. Tom Waits is like, ‘Don’t sell out!’

Of the modern critics, although I disagree with almost everything she says, I admire Mary McCarthy‘s eloquence and social observation in ‘Sights and Spectacles‘; she thinks in print, but she doesn’t have a real feel for the stage.

In general, I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I’m talking to.

Everything has gotten less expensive. Digitization has made content, whether it’s print or music, less costly. Today, anyone can read the news for free online.

Now, past middle age, with so many books written I still care about and only a few still in print, I know the feeling of being overlooked.

Jordans? No. I thought mohawks, leather jackets, studs, piercings, colored hair, leopard print, platforms, all the bondage wear, I thought that was the coolest thing.

To me, the print business model is so simple, where readers pay a dollar for all the content within, and that supports the enterprise.

There’s an obvious marketing component to doing something digitally where you’re reaching out to new readers that you can’t do in the existing print marketplace, or that it’s difficult to do in the existing print marketplace.

I’m obsessed with any kind of floral print.

I represent women that you don’t see a lot in media and in print.

Though I work in broadcasting and host a daily radio show, I got my start in print journalism.

I try to keep all my novels in print. Sometimes publishers don’t agree with me as to their worth.

‘Nothing But the Truth’ is a journalistic thriller that is set during the end of days for print media.

Hinde Esther Kreitman is a forgotten literary foremother, her works largely lost, ignored and out of print.

With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can’t get a clean manuscript unless you start again from scratch. It’s an incredibly tedious process.

When I was a kid, I saw Mardi Gras in New Orleans. So to me Party Rock was always wear your animal print, bring your no-lenses glasses, dress up in a bunch of colors and have fun. Animal print is a must.

The first thing I do when I book a fight is I go to the Internet and I print out a picture of the guy and put it on my refrigerator.

As a professional athlete, the small print says there could be a trade at some point in your career. Sometimes expected, sometimes not. You have to be able to handle that.

I’ve been very transparent with reporters, but they only want to print mean stuff.

It took a brave editor in the U.S. to sign a contract for Dancing Girls, and without her belief in the book, I’m not sure it would ever have found its way into print.

When I was young, my favorite picture book was ‘Fletcher and Zenobia,’ written by Edward Gorey and illustrated by Victoria Chess. It’s long out of print now, but its mix of macabre humor and 1960s psychedelia made it a perfect children’s book for the times.

You’ve had some terrific print information that gets everybody’s attention in this town.

At home, I tend to read print, and most of the time, that means recently released hardcover novels. I enjoy the feel of paper and board; I like turning pages, dog-earing my spot, jotting notes in the back.

Do you know the difference between education and experience? Education is when you read the fine print; experience is what you get when you don’t.

We print money. The people that print the money is actually us. The government of the United States of America. By its very nature, we control that, and this system is there as representation of us.

In the Einstein way, I can’t believe in a universe that doesn’t have some sort of prime mover, identical with all of created nature. I have a whole lot of a harder time with supposing the fine print of the Torah was a direct revelation.

I’ve never read an ebook. Print every time.

‘The Next Wave’ started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.

If you print money like in Zimbabwe… the purchasing power of money goes down, and the standards of living go down, and eventually, you have a civil war.

Sarcasm doesn’t read sarcastic in print.

I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I’d print that out. When it was time to write a song, I’d go through the pages and sing melodies to words that moved me.

‘Tis pleasant, sure, to see one’s name in print. A book’s a book, although there’s nothing in ‘t.

I’ve been trying to make this argument that digital comics and print comics are both art, but there are subtle differences.

The big print giveth, and the fine print taketh away.

I think the thumb print on the throat of many people is childhood trauma that goes unprocessed and unrecognized.

When the government runs out of lenders, it can do something that households are forbidden to do: print money.

Growing up, I didn’t give my grandfather‘s photography a second thought. I wasn’t involved in his work, except that I helped my dad print his negatives.

I highlight everything I find interesting, and then type out everything I’ve highlighted, and then print out everything I’ve typed, and reread these printed notes as often as possible.

When I first started submitting my work professionally – and we’re talking years and years ago – I had no patience for editorial response times. I hated waiting to hear back from people, hated waiting to see my work in print.

I hope that not only my documentaries, but everybody’s documentaries, last. It will really confuse historians in the next century, because they’ll have, in addition to all the print material, they’ll have all these pictures to look at.

Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content.

What one has not experienced, one will never understand in print.

Cinema isn’t just a good medium for translating graphic novels. It’s specifically a good medium for superheroes. On a fundamental, emotional level, superheroes, whether in print or on film, serve the same function for their audience as Golden Age movie stars did for theirs: they create glamour.

My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they’re able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.

I have been a print reporter my whole career. It’s all I ever wanted to be. I specialize in political profiles. I have probably profiled hundreds of people over the years, people in very powerful positions. People don’t always like what I write, but most people still talk to me.

Mentoring is the last refuge of the older artist. With luck, disciples will keep one’s books in print, one’s reputation alive.

When I first concluded to print the book, I made an honest effort to construct it in the third person.

I love anything leopard print, but sometimes an all over print can be a bit much.

It is disgusting that ‘Life & Style’ and ‘InTouch‘ magazines continue to print these false stories about my life: the status of my marriage, false reports about a miscarriage, the horrible lie that my dad is not my biological father, jealousy over my sisters‘ lives, etc.

Like having your own licence to print money.

The print on canvas is the closest to the original work. I personally sign them as well.

The fact that there are still mainstream print media outlets willing to devote precious pages to book coverage at all is a triumph we should all be celebrating.

Education is when you read the fine print. Experience is what you get if you don’t.

I have always loved westerns… supernatural westerns in particular. One of my first professional short story sales was a horror/western story. It wasn’t so great, though, so I’m glad the magazine folded before it saw print.

Printing money – is it really the answer? … If we just print a million dollars for every man, woman, and child in the country and handed it to them, won’t that fix everything? Because in order to really look at printing – I like to take everything to the extreme.

My earliest design work was print, and that was my first love. Of course, as the years went on, I did more and more Web design and less and less print. And like everyone who made the switch from print to Web design, I bemoaned the lack of control.

The simplest definition of advertising, and one that will probably meet the test of critical examination, is that advertising is selling in print.

When I was in Congress, I worked with Joe Kennedy to rename the Justice Department for Bobby, and when I retired, Teddy Kennedy sent me this Roy Lichtenstein print of his brother, inscribed: ‘Bobby would have been proud of you.’

I think track is still one of the most exciting participant sports, but we haven’t been able to capitalize on that excitement through television and the print media.

We had seen the way the print industry had been disrupted; we’d seen how the audio industry got disrupted, so it just seemed like a natural progression that video was next. We thought we were late to the game in 2003.

I think it goes back to my high school days. In computer class, the first assignment was to write a program to print the first 100 Fibonacci numbers. Instead, I wrote a program that would steal passwords of students. My teacher gave me an A.

I have been a print journalist.

The negative is the equivalent of the composer‘s score, and the print the performance.

Bond investors want growth much like equity investors, and to the extent that too much austerity leads to recession or stagnation then credit spreads widen out – even if a country can print its own currency and write its own cheques.

As any competent student of literary composition knows, the more natural and casual a voice sounds in print, the more likely it is to have been edited time and again.

With a face like mine, I do better in print.

If the response to ‘Suite Francaise’ is any indication, there’s a great deal of curiosity about Nemirovsky, and the best way to deal with it is to produce another book. So much of her work has been unavailable, and we want to bring as much of it back into print as possible.

I used to be a print reporter.