Here we have the best Emotions Quotes from famous authors such as Demi Lovato, Petra Collins, Dan Harmon, Allan Hamilton, Wentworth Miller. Find the perfect quotation from our collection.
I don’t let anyone‘s insecurities, emotions, or opinions bother me. I know that if I am happy, that’s all that matters to me.
Women’s emotions are constantly labeled. Any slight deviation from ‘pleasantness,’ and we are labeled as hysterical. When we are angry, sad, depressed, or manic, we are immediately seen as unfeminine or ugly or weak.
I trained to become a sign-language interpreter because it helps you read physical expression and the emotions of body language.
A lot of our music came out of a lot of weird psychology and weird emotions. When you play the whole body of work, you get tossed all over the place. It’s not easy listening. It’s not even comfortable to listen to.
Debt collectors like to play on your emotions because they think you’ll give in and do something you can’t really afford to do. Most of them don’t care about you or your situation as long as they get some money.
A woman will allow herself to be clouded by her emotions. Her reasonable thought becomes completely unreasonable over the most ridiculous thing. It’s a girl thing.
It is only when parental feelings are ineffective or too ambivalent or when the mother’s emotions are temporarily engaged elsewhere that children feel lost.
I think what I reacted to so strongly when I first saw ‘Pinocchio‘ was that I identified with the character so strongly. The movie takes you on a whole journey, a rollercoaster of emotions, and that sometimes means some very scary places. But in the end, it comes out okay.
Music is just where I sort of write my emotions down.
I’m not writing just about melancholy stuff anymore, I made a point to cover a wide range of emotions.
The romantic person instinctively sees marriage in terms of emotions, but what a couple actually gets up to together over a lifetime has much more in common with the workings of a small business. They must draw up work rosters, clean, chauffeur, cook, fix, throw away, mind, hire, fire, reconcile, and budget.
I think being in touch with your emotions is very key as an actor, and I think experiencing life is the only way to be in touch with your emotions.
I think the most important is to remain as stable and consistent as possible in terms of emotions, because when you’re working, if you work well, you’re always rewarded at some point.
I love books, and all the best ones are people analysing their own emotions. You can learn from that.
Being irrational and out of control is what happens in real life. Not cautiously choreographing your anger or your emotions, losing yourself in them is what happens in real life.
I’m just so lucky – my office is a racetrack. That is something I’m very thankful for. It’s exciting, and it’s challenging, and there are a lot of emotions and nerves that come with it, but right there before the gates open, before that minute and a half or two minutes of the race, it just hits you.
Cultures are never merely intellectual constructs. They take form through the collective intelligence and memory, through a commonly held psychology and emotions, through spiritual and artistic communion.
I’m actually not an exhibitionist at all. When you get onstage and you get under the lights playing music, I feel more hidden and more alone than anywhere else. You hide behind your music and let your emotions come out through the music.
You have certain expressions when you write music, a lot of different emotions, a lot of different feelings.
Music is a very, very powerful tool that filmmakers use to sway people into emotions that they intend you to feel.
I get emotionally attached with every film I do, and that stops me from being critical. I can’t fight my emotions.
I write because I know that one day I will die, and thus I should experience as many deliberate observations, careful thoughts, wild ideas, and deep emotions as I can before that day occurs.
Understanding that being nervous, having doubts and lacking confidence are emotions that are human is how you deal with it. It is okay to feel that way… and then understanding that you can work through it.
There’s a part of you – the born-again part, your spirit – that’s dead to sin. That’s why it bothers you now when you sin. The ‘wilderness‘ part of you – your soul – is your unrenewed mind, out-of-control emotions, and stubborn will.
When I got to write for the ‘Battlefield‘ record, it was almost therapeutic. I had gone through a few things in the two years prior and it was really nice to take those thoughts and emotions and get them out. I definitely want to hone that side of my artistry.
As an actress, emotions are my business, my stock-in-trade. As such, I’ve dealt with them nearly all my life.
I think the smartest thing for people to do to manage very distressing emotions is to take a medication if it helps, but don’t do only that. You also need to train your mind.
You have to be sincere in your feelings. And fear is one of those, sometimes; doubt is one of those; jealousy, anger – all your emotions are not going to be considered the strong emotions; all of them are not going to be love, happiness, joy.
I hate to lose. Sometimes, I let my emotions get out of control.
Maybe I spent more time dwelling on emotions than some people, and maybe that’s why I ended up writing.
Emotions are the key to many aspects of life. They are precisely the elements that make human beings human. I think the fact that emotions have been reduced and put off to the side in intellectual work, particularly in the 20th Century, is tragic.
I can’t say I have control over my emotions; I don’t know my mind. I’m lost like everyone else. I’m certainly not a leader.
Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it’s one place you can process them.
Love and hate are two of the strongest emotions we feel in relationships.
It was a weird mix of emotions. One day, your best friend could be killed. The day before, you could be celebrating him getting a brand-new bike.
Each person’s drive to overwork is unique, and doing too much numbs every workaholic‘s emotions differently. Sometimes overwork numbs depression, sometimes anger, sometimes envy, sometimes sexuality. Or the overworker runs herself ragged in a race for attention.
Pop music provides not just the soundtrack to our lives, as the cliche goes; it releases our emotions and helps us to articulate them. This is why music is so important to adolescents, who are struggling with questions of identity and self-expression.
My weaknesses are my jumps. The reason is that although I land them in practice, when I actually compete or perform, I should let my body go and stabilize my mind better. Also, I need to work on not letting negative thoughts and emotions get to me on the ice.
In hip-hop, I wasn’t very focused on delivering a message. It was just a string of lines that didn’t connect. What I wanted to do is write stories… and affect someone’s emotions with that song. I think as a soul singer, I’m able to accomplish that.
Somehow, it seems that the sadder a song is, the happier I feel. The release of emotions that many would label as ‘negative’ is actually a liberating process for me.
If buying art is to matter to us deeply, then it has to engage with our emotions and bring something to what one might as well, and with no supernatural associations whatsoever, call our souls.
Tennis needs some different personalities and a lot more emotions.
The fact that biological, or ‘natural’ rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn’t the same as a person, with all his or her experiences and emotions involved, making art.
I am expressive but secretive about my emotions.
We don’t put our emotions out there in Japan. I’m Japanese, but I love to be honest.
It was a really strange way that I came into music. Once I gave voice to it, the pit of emotions that I guess I knew was inside of me for a long time, the stream never really stopped.
I feel often that we don’t have the right language to talk about emotions in disasters. Everyone is on edge, of course, but it also pulls people away from a lot of trivial anxieties and past and future concerns and gratuitous preoccupations that we have, and refocuses us in a very intense way.
It’s fun playing two roles. The roles provide a wonderful range of emotions. Stuart is childlike and sensitive. Adam is ruthless, outrageous. He’s flamboyant. He does the unexpected.
I think it is important for children to read different things to find out about their emotions and other people’s emotions. It is an enormous source of education and culture.
I gave myself permission to feel and experience all of my emotions. In order to do that, I had to stop being afraid to feel. In order to do that, I taught myself to believe that no matter what I felt or what happened when I felt it, I would be okay.
The emotions that sustain religious belief are all, in fact, deeply ordinary and deeply recognisable to anybody who has ever made their way across the common ground of human experience as an adult.
I think the gender norms of emotion are horrendous. Being masculine means showing zero emotions, but having the choice to be angry or depressed. Being female means you are one dimensional – if you show more than that, you are a psycho, hysterical, or historically, a witch.
Lyrically and thematically, the title ‘Doctor Faith’, that song is about therapy, psychotherapy, and that song is about emotions and personal insight. I think all the songs on the record sort of go along with that.
I try to see what the priorities are and not get terribly fussed about things that don’t matter. Not be swept away by feelings and emotions, which is my tendency.
Cinema is my religion. It is a way to make people sensitive, through emotions. To make them feel, experience empathy. People are touched and act ethically when they are emotionally touched.
Markets as well as mobs respond to human emotions; markets as well as mobs can be inflamed to their own destruction.
I’m an electronic guy, I’m a freak for electronic music but real instruments, the dynamic range of it, and the emotions, there’s no comparison.
At times I have a beat first and then I write. Sometimes I have a melody in my head and I pick up the guitar to develop the song. Other times I just write without any melodies, and I end up using those lyrics when I think I have the appropriate instrumental that would bring out and depict the emotions of what I have written.
In the First World War, there was the sudden passion of nationalism, and the killing took place because of these emotions. But the Soviet case is different, because you had systematic murder, like the Holocaust.
Nature in America does not arouse powerful emotions in me.
Many kids in foster homes have a lot of emotions that are hard to get out. It’s important to let them know they can make a difference in the community.
You externalise extreme emotions, and you look at them objectively and understand them from a different standpoint.
I don’t think any human being/artist is 100% emotionally stable, based on the human condition and our emotions that relate to it.
There were several men who had blazed the trail for talking about emotions in philosophy; otherwise my work would have had even more opposition than it did.
I got interested in the emotions after studying patients who had lost the ability to emote and feel under certain circumstances. Many of those patients also had major impairments in their ability to make decisions.
I feel pressure, but my emotions just don’t show that much in my face.
Despite what everyone thinks about science fiction, ultimately, at its best, it’s about human beings with human emotions.
Poets are always taking the weather so personally. They’re always sticking their emotions in things that have no emotions.
I went to college at North Carolina School of the Arts and took a lot of singing classes, and it really is so connected to emotions.
I remember playing with some friends and being aware that I was acting as I was playing with them – I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions – I danced for so many years.
In high school, I went to a place called the Mountain School. It’s on a farm in Vermont, and I read Emerson and Thoreau and ran around the woods. Now I go hiking with a bunch of my comedy buddies. We talk about our emotions. I also do a lot of writing on hikes, just to get the blood flowing and the ideas moving.
Perhaps writers should never be allowed to get together in a workplace context. It’s not like studying computer science, after all. The emotions are at large, and are shared and are questioned. There is a vulnerability.
I was putting on a stiff upper lip and trying to fulfill the obligations I thought were demanded of me, taking over my father’s role of taking care of my mother… and having to be the recipient of her confessions and emotions but of a delusional nature.
The way we write our solo songs is that we take the emotions that we feel and put them in the lyrics. And we try to put them in the songs.
I think it’s because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn’t necessarily reach the heart.
Music moves my emotions because music loosens me up.
Emotions fascinate me, just being able to express myself through acting. I love that. And I think, in everyday life, you’re always trying to repress your emotions. Like if you’re sad, you don’t want to show it to someone else.
I’m an emotional person. I chose films based on emotions.
No one wants to be picked at. At the end of the day, we’re all human beings with feelings and emotions. Nobody wants to be critiqued and picked apart, but it’s the nature of the business. It comes with the territory. For me, if they’re not talking about you, that’s where you can run into some trouble.
Had Elizabeth Bennet known how wildly Darcy’s heart beat for her, ‘Pride and Prejudice’ would barely have made it into a short story. Their torturously slow-burning romance is a classic example of how men and women still struggle to communicate the most basic of emotions.
I’m not interested in politics. I lose interest the microsecond it ceases to be emotional, when something becomes a political movement. What I’m interested in is emotions.
Emotions run high when you have a bad day; you can’t hide it.
I’ve written songs before, and I don’t want to share them with anybody. It’s really personal for me, that sort of creative outlet where you put your emotions to paper or put to song. I don’t do it that much anymore, but to let someone in on that outlet and to have it susceptible to judgment is scary.
I understand that it’s hard for everyone, but one cannot give in to emotions… we’ll have to draw lessons from the current crisis and now we’ll have to work on overcoming it.
Sports is like rock ‘n’ roll. Both are dominant cultural forces, both speak an international language, and both are all about emotions.
I’ve always been interested in this notion of what is authentic and how we define that and why our culture imposes certain emotions and emotional constraints onto experiences.
Lonesome Rhodes had wild mood swings. He’d be very happy, he’d be very said, he’d be very angry, very depressed, and I had to pull all of these emotions out of myself. And it wasn’t easy.
The nature of music is mysterious and so much so that it generates strong emotions within us. It moves along passages that reach the most intimate areas of our psyche without being tried by prejudices or influences of any kind.
I’m interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you’d see in a typical feature film.
I’ve become more sensitive, more open, which is not necessarily good in F1. But if you are able to control your emotions, I think it can be positive.
Anytime you really take a close look at people who are dealing with the aging process, you’re going to have a complicated reaction to what you’re seeing and feeling. If you’re in the middle of it, those emotions are going to be quadrupled. It’s immediate, it’s relatable, so it’s good human drama.
Amazon is famously run by studying and responding to its own data; yet when it comes to promotions, decisions are often subjective and guided by human emotions and petty political dynamics.
I think when you’re writing songs, it’s impossible to not draw on personal experiences, whether it be traveling or girls or anything. Just emotions.
The advantage of the emotions is that they lead us astray.
I have spent a lot of my career working on normative political philosophy, developing the ‘capabilities approach’ to social justice. I have also spent a lot of my career working on the structure of the emotions, and their role in human life.
All great movements are popular movements. They are the volcanic eruptions of human passions and emotions, stirred into activity by the ruthless Goddess of Distress or by the torch of the spoken word cast into the midst of the people.
What originates everything are the emotions, the feelings, what we call soul. Then the brain commands these feelings to the voice. The voice is just the vehicle; it’s the very last step in the chain.
People love to see reactions, they love to see emotions that come about.
I like playing characters with as many emotions as possible. I’d love to play a really crazy person – someone truly out of her mind.
I was brought up with considerable discipline, and I was taught it wasn’t proper to display certain very private emotions in public.
You want to make entertainment sometimes, and sometimes you want to make art, because I think the way we understand ourselves as human beings is through art, and the way we process emotions – I know I do – is through recognizing experiences on screen or in novels or in paintings.
A huge part of what a kid learns when they’re growing up is social and emotional development. As adults, we take it for granted that other people have emotions that are different from ours, and we can identify what they are, but those are skills that children have to learn.
What is new is the multiplying reach and volume of the Internet, concentrating the toxicity of destructive emotions and circulating them in the political bloodstream with unparalleled velocity.
I don’t remember a time when I wasn’t acting. I have taken time off to figure out if it’s what I really want to do, and it is. The only other job I’d want is to be a psychologist, as I spend most of my time analyzing people and emotions.
Most critical writing is drivel and half of it is dishonest. It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations.
There are two kinds of taste, the taste for emotions of surprise and the taste for emotions of recognition.
You go through all the emotions when you’re told to move on.
When you stop resisting your emotions, you will quickly realize that your feelings are your friends. They are your soul’s way to communicate with you and are meant to guide and inform you.
Control what you can control. I can control my emotions, my attitude, my effort every day.
I grew up influenced by different cultures, sounds, feelings, emotions, and I want Premiere Classe to be a representation of that.
I think you have to be very secure as an actor to escape yourself – to revisit someone’s past, whether you’re portraying another person or creating someone, and then to come back to who you are and not bring those emotions with you.
I think that if you want to pass emotion, you have to write a letter. Emotions do not pass in SMS or in e-mail.
My biggest problem with organized religion is that God has been imagined as a human being with emotions. I feel if you let go of that, then it’s possible to see God as a force, to connect to him or her spiritually.
Negative emotions like loneliness, envy, and guilt have an important role to play in a happy life; they’re big, flashing signs that something needs to change.
Each person’s drive to overwork is unique, and doing too much numbs every workaholic‘s emotions differently. Sometimes overwork numbs depression, sometimes anger, sometimes envy, sometimes sexuality. Or the overworker runs herself ragged in a race for attention.
I wrote ‘Truth Is’ with Julia Michaels during our first time working together. The song is about emotions we often think of but are afraid to voice – the feelings we try to convince ourselves we don’t actually feel.
I love to create, and to me, the ultimate freedom of expression is a blank canvas or a block of clay to capture whatever emotions your imagination gives it.
I don’t think you learn how to act. You learn how to use your emotions and feelings.
One reason why it has become harder to promote the beneficial side of emotions such as anger is that the moral vocabulary of good and bad has been replaced by the self-help lexicon of positive and negative thinking.
In the music business, to survive for so long, you have to be able to cut off from your emotions sometimes. And being a father, you’re faced with that situation. I know that my father was, with me. I understand why he had to be distant, because to rip yourself away, time after time, is almost more devastating.
It’s hard to do that with people who think emotionally. A lot of people think in terms of people, emotions, and feelings. That’s more complicated. Engineering mentality makes it, in theory, a little easier.
Music evokes a lot of different emotions and triggers different senses.
The concept of reason itself appears as an artificial attempt to separate intellectual powers from the frustrations, emotions, and accidents which cause events; the concept of reason is viewed as facade to prevent change.
With singing, the name of the game is to make yourself believable. When somebody hears you sing a song, and they say, ‘Oh, that must have happened to him,’ that’s when you know you’re transmitting. It’s like being a good actor. You make people feel things, emotions and what not.
At drama school, I always picked the really evil roles. It’s a great way to deal with your everyday emotions.
When I was a child, I did always feel that people were hiding things, and that they weren’t expressing their true feelings. When adults are too complicated, and cover their emotions with layers of well-intentioned subterfuge, the child isn’t seeing reality clearly enough and gets upset.
Your kids have these big emotions they can’t put into words.
I believe anger is a wasted emotion, and I don’t like to waste emotions.
Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.
Sometimes I am happy and sometimes not. I am, after all, a human being, you know. And I am glad that we are sometimes happy and sometimes not. You get your wisdom working by having different emotions.
I practice stoic philosophy. As a human being, you may have emotions, but these don’t need to affect your soul. The two are not one.
Since the Industrial Revolution, we tend to use technology to show our power: you know, we build high-rises, towers, big buildings that become symbols of power and capitalism. We don’t talk about how emotions and nature can be connected.
We cannot control what emotions or circumstances we will experience next, but we can choose how we will respond to them.
When you’re making a film, you become incredibly close. It’s not like you’re filing away papers all day. You’re creating with human emotions, so you do become very connected, so it is familial and romantic.
When I say manage emotions, I only mean the really distressing, incapacitating emotions. Feeling emotions is what makes life rich. You need your passions.
I have no interest in trying to manipulate people’s emotions or opinions.
When you perform, you can convey emotions differently, and your look can reflect each of those emotions.
An actor is somebody who communicates someone else’s words and emotions to an audience. It’s not me. It’s what writers want me to be.
When I’m singing a song, I’m in that song, and I’m thinking about what emotions I should bring to the song. Voicing a character was very similar. It was high energy, and I had to really think about the emotion of what was going on in the scene.
When psychical phenomena have been as much investigated as physical, love will also receive its cumatology – that is, its science of waves. We shall follow the curves of the emotions through the ages, their movement of rise and fall, the oppositions and side-influences by which they have been determined.
I have deep emotions about the American people. If I were to cry for anything, I would cry for them and the policies that they’re about to face.
An aristocratic culture does not advertise its emotions. In its forms of expression it is sober and reserved. Its general attitude is stoic.
I want to be able to make people laugh and cry and feel happy or sad and feel all these different emotions through singing and acting. Hopefully throughout my career, I’ll get to pursue them.
My idea is to bring out the inner child that my generation has inside, which does not go to sleep because of so much angst over the day-to-day routine. With so much going on, you start tuning out emotions and surprises.
Art is a hidden doorway that can change people’s emotions.
Acting probably saved my life. It gave me a home and a safe place to let out all of my emotions and have it be okay.
‘NRT’ is a comedy film, which has the extreme of emotions with Vijay Sethupathi and Nayanthara as the protagonists.
A clear understanding of negative emotions dismisses them.
Performing is a profound experience, at least for me. It’s not as if I sit down and play ‘Fire and Rain’ by myself, just to hear it again. But to offer it up… the energy that it somehow summons live takes me right back, and I do get a reconnection to the emotions.
I think the only time I show my emotions and anger is on the cricket field; otherwise, I’ve mellowed down. And with age, I think, with age you always end up mellowing down.
Things that bring out your emotions are what should be in theaters and in books. That’s what art is. It makes you feel things.
Literature could be said to be a sort of disciplined technique for arousing certain emotions.
I believe that curiosity, wonder and passion are defining qualities of imaginative minds and great teachers; that restlessness and discontent are vital things; and that intense experience and suffering instruct us in ways that less intense emotions can never do.
Sometimes you have to go places with characters and emotions within yourself you don’t want to do, but you have a duty to the story and as a storyteller to do it.
Nothing can really prepare you for you the sheer overwhelming experience of what it means to become a mother. It is full of complex emotions of joy, exhaustion, love, and worry, all mixed together.
I think like a man but have the emotions of a woman, and that’s really dangerous.
There is a twinge of abandonment that comes with being a member of the African Diaspora. But ‘Black Panther‘ fearlessly introduces and then complicates this and other deeply held albeit rarely expressed emotions; that indeed is what makes this film so profoundly innovative.
I believe we have become paralyzed, paralyzed by our desire to be loved. Now our founding fathers had the wisdom to know that social acceptance and popularity were fleeing, and that this country’s principles needed to be rooted in strengths greater than the passions and the emotions of the times.
With singing, the name of the game is to make yourself believable. When somebody hears you sing a song, and they say, ‘Oh, that must have happened to him,’ that’s when you know you’re transmitting. It’s like being a good actor. You make people feel things, emotions and what not.
If you look at Shakespeare‘s history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
Mostly in life people are trying not to have emotions.
I was raised by a single psychologist mother and we spent every evening sitting at the kitchen table and dissecting our emotions and speculating about the inner life of everyone we knew.
I can access emotions very easily.
I don’t react and think off emotions – that gets you in a bad situation.
You try to hide your emotions, so as not to show weaknesses to others. I believe it’s the same for every sportsman.
If we just wanted positive emotions, our species would have died out a long time ago.
We are very passionate and very emotional people in Serbia. Everything we do, it is done with emotions. We are very good at sport, tennis, basketball, football ,water polo, volleyball. We always try to show this character and use it.
I do so play an instrument! I play air! I play the air with my fingers, and I’m in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
I have big emotions, and I care deeply about delivering for New Yorkers, and sometimes that means you got to push things forward – and I think New Yorkers know that.
My weaknesses are my jumps. The reason is that although I land them in practice, when I actually compete or perform, I should let my body go and stabilize my mind better. Also, I need to work on not letting negative thoughts and emotions get to me on the ice.
Actors are really working with bodies, with their minds, and with their emotions. Feelings, basically. That’s what movies are about, going from one feeling to another.
Maybe with your emotions and your feelings, someone else can say it in a different way than you would, which brings new life to the way you might sing it.
Emotional intelligence is your ability to recognize and understand emotions in yourself and others, and your ability to use this awareness to manage your behavior and relationships.
I try to be as clear and simple as I can be in my illustrations so that the child can tell what is going on and what the emotions are.
My songwriting process, and maybe loads of other people’s, is just this sort of smashing together of emotions and stuff to make some music. It’s kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
A whole generation was raised to learn about comedy from ‘The Simpsons.’ To get to be in a booth with Homer and Marge and be in Springfield – it was unimaginable the emotions that I felt.
Players hold a lot of their emotions in.
I think, you know, when you’re a teenager, sometimes your emotions are a little bit more drastic than maybe when you’re in your 20s. You sort of level out a little bit.
The emotions in a song – the anger, aggression – have got to be legitimate.
Any musical person who has never heard a Negro congregation under the spell of religious fervor sing these old songs has missed one of the most thrilling emotions which the human heart may experience.
My music comes from many, many, many places. My emotions, my feelings, my thoughts, and conversations I have with people I know who influence me.
Singing is a way of releasing an emotion that you sometimes can’t portray when you’re acting. And music moves your soul, so music is the source of the most intense emotions you can feel.
It’s such a thrilling part about being in a relationship at a young age, and all your feelings are apocalyptic, all your emotions are so huge.
Secretly, I’m in awe of Broadway performers. I would love to perform at that level. I love the exchange with the audience. I love being able to sing and dance to express your emotions and the community and friendships that are formed when working on a theater piece.
I’ll continue on the path I’ve been taking, feet on the ground, describing people’s lives, describing people’s emotions, writing from the standpoint of the ordinary people.
As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
My girlfriend tells me if I’m doing a movie I’m a roller coaster of emotions all the time, but on ‘Boardwalk,’ because I’ve done it for so long and I’m so in tune with the character, she says I’m pretty happy most of the time.
Some people love so hard that they can’t control those emotions when they’re at their deepest point.
Now our founding fathers had the wisdom to know that social acceptance and popularity were fleeing, and that this country’s principles needed to be rooted in strengths greater than the passions and the emotions of the times.
Because I was able to submerge myself into the character, I didn’t have to go back and forth. You don’t have to work hard to bring emotions. It all just comes naturally, you’re there living it.
The truth of it is when you get an audience to laugh and camp along with you, it’s much easier to scare ’em again because they’re using two sides of their emotions. It’s much easier to set them up for a good cheap thrill scare again.
I love writing. I love the swirl and swing of words as they tangle with human emotions.
It’s been said that horror films are experimental forms of art, and I agree. As an actress, you’re put in positions and have to experience emotions that are way beyond reality, whether fighting in a post-apocalyptic world or being possessed by the Devil.
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I’ll play it to a friend, and they’ll say, ‘Oh, that’s nice.’ But when something happens to me, and I sit down and write a song to get rid of my emotions, they’ll turn around and say, ‘Wow, that’s great.’
It’s hard to explain your emotions when you see a work of art.
Bigg Boss’ is all about human emotions, it’s not a formatted show.
I just happen to like the work. I like preparing for a role. I like reading. I like analyzing. I like literature. I like emotions. I like working with other actors.
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
I think the gender norms of emotion are horrendous. Being masculine means showing zero emotions, but having the choice to be angry or depressed. Being female means you are one dimensional – if you show more than that, you are a psycho, hysterical, or historically, a witch.
The book is a dialogue between The Dalai Lama and a group of scientists about how we can better handle our destructive emotions and how to overcome them.
Movie characters rarely get to think out loud or talk very much about their emotions. Instead they have to, very briefly, show their feelings through their action or through dialog.
An actor matures with experiences, and the more the emotions he/she has been through, the greater the intensity of performances.
I’ve always used my own personal emotions and things that I’ve gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I’m playing.
The thing that fuels me the most is the desire to be on stage. And singing is the ultimate way of expressing all the emotions that I have inside.
I liked the fact that I was forced to get inside of my emotions and to really try to figure out a lot of what I was going through.
My intellect has always been more responsible than my emotions for how I respond to the world.
Your intellect may be confused, but your emotions will never lie to you.
At the end of the day you have to keep emotions away.
For me, an ideal novel is a dialogue between writer and reader, both a collaborative experience and an intimate exchange of emotions and ideas. The reader just might be the most powerful tool in a writer’s arsenal.
As a top player, you have to keep your emotions in check. You think you can control everything.
Basically, fundamentalism is a modern phenomenon. In the same way that Hitler evoked a mythological religion of German purity and the glory of the past, the Islamists use religion to evoke emotions and passions in people who have been oppressed for a long time in order to reach their purpose.
I think the humor, when applied in the right amount, only serves to intensify the other emotions in a given song; it highlights them, makes them stand out.
I’m aware of the mystery around us, so I write about coincidences, premonitions, emotions, dreams, the power of nature, magic.
The brain is a complex biological organ possessing immense computational capability: it constructs our sensory experience, regulates our thoughts and emotions, and controls our actions.
What emotions would we experience if we weren’t working ourselves to death? What wishes drive us? What fantasies hitch themselves to our continual busyness? Only when we step away from our frenzy can we know.
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.
2014 was physically a tough year because I injured my knee, and you know how that goes with your emotions and the mentality.
Life experience brings out different emotions and different perspectives on things. I just want to be constantly evolving.
You have to find it in the moment, and that’s one of the challenges of being an actor – especially a film actor – is that you have to maintain these heightened emotions for long periods of time. There’s no trick to it. You just have to do.
I believe we have become paralyzed, paralyzed by our desire to be loved. Now our founding fathers had the wisdom to know that social acceptance and popularity were fleeing, and that this country’s principles needed to be rooted in strengths greater than the passions and the emotions of the times.
You have to learn to draw the same emotion you had when you wrote a song every time you perform it. Acting is the same way: You have to find those emotions and bring them to the surface, and then put them back when you’re done.
Trauma survivors have a deficiency in their capacity to regulate emotions – they’re too prolonged and too intense and too negative. As a corollary to affect regulation, self-esteem, sense of self and inter-personal functioning all goes downhill. And that’s a chronic thing that’s solved in an-inter personal context.
I’m not going to change and get the emotions out of my game. It’s important to have emotions in sport. If you don’t have emotions, it’s like you don’t really care. Because if you care about something, you’re always going to be emotional. Doesn’t matter if it’s sports or personal life.
More information is always better than less. When people know the reason things are happening, even if it’s bad news, they can adjust their expectations and react accordingly. Keeping people in the dark only serves to stir negative emotions.
Your mom was right when she told you never to discuss politics and religion because emotions run so high in those arenas. Especially religion.
Sport can bring communities together and can release a lot of pent-up emotions.
We all sing about the things we’re thinking; musicals are about expressing those emotions that you can’t talk about. It works a real treat.
It’s about storytelling. The story is told through images. So with the cast, I had to make sure that the emotions were readable without sound… I know some great actors, if you turn off the sound, you don’t really know what they’re saying.
Romance focuses on emotions and on relationships, both of which are fundamentally important to women.
In terms of showing their emotions and acting on them, my women characters are a lot more advanced than the men.
It was only after university that I said to myself that I had to take the risk and have a serious go at acting. It’s such a bizarre profession, because you have to be totally tough to deal with all those times when you’re being turned down, and then really soft in order to access your character’s emotions.
A work of art is a world in itself reflecting senses and emotions of the artist’s world.
I think in terms of emotions. And feelings. So sometimes what I say may not always be clear. But creatively, there’s a lot to be said for that way of thinking.
Great moments of entertainment, great football, unforgettable evenings. I think that’s what it’s all about: experience, emotions, and the special touch that the Champions League brings on and off the field.
I learned a great lesson early on, even before I was really an actor, from that movie ‘Planes, Trains & Automobiles’ that John Hughes made: that you could make a movie that’s really, really, really, really funny, and sometimes you can still achieve… making the audience feel very deep emotions as well.
The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn’t true of my life, though I’ve experienced most of the emotions experienced by the characters in the play.
I think, you know, I’m German, and um, probably not very expressive in my emotions.
Part of the reason of being an actor is you like playing other people’s lives and exploring all the psychologies in that and the emotions.
American men are more open, they are readier to express their emotions, but they also get frightened easily. Italians are used to drama. For us, arguing, shouting is perfectly normal – for them it is inconceivable.
There’s such an extreme feeling to be in love, especially in quite an emotionally destructive relationship, where you’re both kind of really bad for each other, but you love each other so much. Those extreme emotions, I think, can only be described with extreme imagery.
We all have the same core emotions of love, jealousy, rage – it’s just how they’re expressed.
Art is something that opens up and enhances your emotions and that’s what I like to think I’m doing.
I was very bitter, frustrated, hurt, angry – I went through all types of emotions when I first was out of the WNBA.
In Israel we tend to be carried away by our emotions.
It is a dangerous thing to have instant access to your emotions.
The reason I write is that I’m not in dialogue with my emotions; writing puts me in touch with myself.
Painful emotions show you what prevents you from creating harmony, cooperation, sharing and reverence for life.
I really like people who have the gift of the gab. I like characters that are very eloquent, articulate and confident in what they’re saying. Especially coming off ‘Captain America,’ who’s very internal and intimate, I’d love to play someone who wears their emotions on their sleeves, potentially to a fault.
We must learn to set our emotions aside and embrace what science tells us. GMOs and nuclear power are two of the most effective and most important green technologies we have. If – after looking at the data – you aren’t in favour of using them responsibly, you aren’t an environmentalist.
By temperament and disposition and emotions, I’m a liberal; but in my beliefs about what’s best for the country, I’m a centrist.
There’s nothing wrong with having a bad day. Let yourself feel those emotions because every emotion is validated.
If the cosmos isn’t finite, then far, far away, floating duplicates of your brain – with all its experiences, thoughts, and emotions – are occasionally (and temporarily) thrown together by the random combining of atoms. Such ‘Boltzmann brains,’ as they’re called, are a disturbing consequence of an unlimited universe.
Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.
I’m very free with all my emotions, whether it’s happy, sad, mad, glad, whatever.
On stage, you can use your emotions. It’s the place where you can channel them. They have a purpose.
Everyone has emotions; you just learn to use then and be comfortable with them.
If it turns out that there are emotions and values that are more numerous and more vibrant than indifference and hatred, things are going to be okay. That depends on us.
I loved her. I still love her, though I curse her in my sleep, so nearly one are love and hate, the two most powerful and devasting emotions that control man, nations, life.
‘True Blood‘ differs from ‘Six Feet Under’ in that there are way more characters and plot-lines, but fundamentally it’s still about the characters and their emotions.
I think in the heat of emotions, some rhetoric is said that is a little explosive.
I’m always collecting emotions for future reference.
Every role varies greatly, just as emotions vary greatly.
I’m a kid, and a breakup is normal. I have to go through the emotions and feel it out.
Courts are supposed to be places of reason. But this, of course, is a fantasy. I mean, there is reason being used as a technique. But courts, in fact, are baths of emotions.
I have the embarrassing thing where often if you’re watching a film, you kind of go through the emotions and the thought stages that your character went through, but you sort of do it with Tourette’s. So I end up often crying when I’m crying, and looking angry when I’m looking angry, so it’s pretty ugly.
The truth is that to enjoy acting one must be an exhibitionist at heart, one must revel in those exposures of the emotions which would be agonizing to a shy or reserved person. All the great actors have been and are exhibitionists.
I try to make music with emotion and integrity. And authenticity. You can feel when something’s authentic, and you can feel when it’s not: you know when someone’s trying to make the club record, or trying to make the girl record, or trying to make the thug record. It’s none of that. It’s just my emotions.
I write about moments, and I don’t make blanket statements about anything because no one has all the answers; nobody’s come up with a foolproof way to do anything when it comes to emotions.
I am expressive but secretive about my emotions.
Emotions are messy and hard to figure out.
The clock, for all its precision in measurement, is a blunt instrument for the psyche and for society. Schedules can replace sensitivity to the mood of a moment, clock time can ride roughshod over the emotions of individuals.
In my eyes, I think it’s important that if you’re doing something you’re proud of and that is genuine and authentic, you have a responsibility to bring that to as many people as possible, just for the sheer reason that there are musicians out there who are manufacturing emotions that aren’t genuine.
I have long believed that there are fundamentally two forces or emotions that drive our decisions – love and fear. Love has its many manifestations: compassion, gratitude, kindness, and joy. Fear often manifests in cynicism, anger, jealousy, and anxiety. I worry that many of our communities are being driven by fear.
I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you… whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going on around you.
Auden is a poet – no, the poet – of unembarrassed intellect. Ideas are his emotions, emotions are his ideas.
I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it’s not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That’s how I learned how to play guitar. If it weren’t for them, I wouldn’t be a musician.
Acting deals with very delicate emotions. It is not putting up a mask. Each time an actor acts he does not hide; he exposes himself.
It’s wonderful to move forward technologically, but we cannot forget that we are human beings who thrive on relationships, who thrive on interconnectivity, who thrive on sharing your feelings and emotions.
There are powerful emotions that bring two people together in wonderful harmony in a marriage. Satan knows this, and would tempt you to try these emotions outside of marriage. Do not stir emotions meant to be used only in marriage.
The death of Garang has unfortunately unleashed emotions of anger; some genuine, others cultivated by elements who wanted to pit one group of Sudanese against another.
These years in silence and reflection made me stronger and reminded me that acceptance has to come from within and that this kind of truth gives me the power to conquer emotions I didn’t even know existed.
Stand-up comedy is a lot about amplifying emotions and situations; movie acting has a lot to do with mellowing things down and making them subtle. The transition was almost terrifying because of the magnitude of change.
I have all the emotions that everyone has; it just appears that I don’t.
In singing, you cannot ‘cheat‘ if you want to give emotions to those who are listening. You must have something to tell.
There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren’t capable of emotions, and people think they’re very cold inside.
Leaders who master emotions can rob us of our capacities to reason. If their values are out of step with our own, the results can be devastating.
I’ve written short stories from male perspectives before, and I’ve never had a problem with it as long as I’ve understood the character’s emotions and motivations.
If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
To play someone when the character masks their own emotions, doesn’t understand their own emotions, has no release for their own emotions, and yet is full of emotion – that is a much harder character to play than someone who has somewhere to put it.
In film you can use images exclusively and narrate a whole story very quickly, but you don’t always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character’s inner thoughts and feelings.
Poker is about understanding human behavior and managing emotions – yours and the other guy’s. That’s huge in poker, and it’s huge in business.
I’m a human being. I feel all emotions. I’m not just happy all the time. Sometimes, I’m sad and feel the blues. Sometimes I even want to feel the blues. Sometimes, you want to feel down.
The thing I adore about acting is that it’s not me: you get to experience all these emotions, but essentially it’s not you.
Fascism says what you and I experience as facts or what reporters experience as facts are irrelevant. All that matters are impressions and emotions and myths.
Well I do think there are people who are habitually negative and depressed and take the opposite approach because they imagine the worst, and their minds become dominated by that. They let their own emotions and expectations transform their perceptions of the world.
There are so many situations when you feel like your heart is breaking. I keep those emotions pent up, so I can create stories around them and shape what I would say from another perspective.
You have to be sincere in your feelings. And fear is one of those, sometimes; doubt is one of those; jealousy, anger – all your emotions are not going to be considered the strong emotions; all of them are not going to be love, happiness, joy.
When I played ‘Survivor’, I sat back many times and marveled that no one had gotten into a real physical altercation. With all the backbiting, lies, and lack of food, a fight didn’t sound far off base, considering the strained and fragile emotions.
The problem is that too many adults think their kids’ lives are simple, or they try to make their lives simple, when their emotional lives are just as complicated as ours. They might have a few less tools to deal with it because they’re young, but the emotions are all the same, and the subject matter is all the same.
Emotions fascinate me, just being able to express myself through acting. I love that. And I think, in everyday life, you’re always trying to repress your emotions. Like if you’re sad, you don’t want to show it to someone else.
One of the things I’ve started doing lately is tracking my dreams. I feel like there’s a lot of information there and you can really bring those emotions to the situations that may feel mundane or familiar. That gives them new life and gives you a new relationship with it – if that makes any sort of sense.
As far as inspiration is concerned, I only have one person – Madhubala. She was beautiful like a wax doll. And I just love her eye movement and those pure emotions which strike your heart.
Failing to find in women exactly the same kind of sexual emotions, as they find in themselves, men have concluded that there are none there at all.
I don’t try and be dark, but there are obviously darker emotions that I want to capture sometimes.
Completeness? Happiness? These words don’t come close to describing my emotions. There truly is nothing I can say to capture what motherhood means to me, particularly given my medical history.
I’ve always believed in trying to be as open as possible. I think it almost comes with the job – if you can bare your emotions, it makes for better acting.
Exploiting people’s emotions of fear, envy and anxiety is not hope, it’s not change, it’s partisanship. We don’t need partisanship. We don’t need demagoguery, we need solutions.
Emotions are contagious. We’ve all known it experientially. You know after you have a really fun coffee with a friend, you feel good. When you have a rude clerk in a store, you walk away feeling bad.
The human voice: mysterious, spontaneous, primal. For me, the human voice is the vessel on which all emotions travel – except perhaps jealousy. And the breath, the breath is the captain of that vessel.
I went through this realization that acting, at its heart, is the ability to manipulate your own emotions.
My work is through my emotions, so everything kind of goes together.
To be a great actor, you really don’t need to go to acting school or learn dance classes or work on your body. You have to be intelligent. You have to draw on a lot of emotions that you go through in life that you can tap into once you work on a set.
In a way, we tried to make ‘The Salvation‘ a contemporary film with contemporary emotions. At the same time, in the script, you get a feel that all the small talk is not a part of our universe. It’s more precise talk.
My own approach has always been to push intense emotions down and attempt to deal with them later.
When I go into the studio, I completely detach. I let my emotions come out.
You go through different emotions when you’re in captivity. On the one hand you say, my career is over. On the other hand, you say, my career’s just started. See with these weird extreme ideas of where you are based on this capture.
Take control of your consistent emotions and begin to consciously and deliberately reshape your daily experience of life.
My emotions are very simple and always have been about the Hall of Fame. It’s something that I had absolutely nothing to do with and had no control over, so I never thought much about it, to be frank.
If I ever had any vanity, then I definitely lost it by being on television. It doesn’t do you any favours in terms of showing you what you look like and what your emotions are.
Middle age: when you begin to exchange your emotions for symptoms.
Oh, I’m not English, I cannot talk on behalf of an English person. I’m French. I can say about French. They are quite emotional, though, and they talk about their emotions.
I don’t fully understand my wife’s emotions – and I’m supposed to write an excellent female character and unravel the secret of women?
When you’re in a race car, you’re going through so many different emotions throughout that race.
Music is an extraordinary vehicle for expressing emotion – very powerful emotions. That’s what draws millions of people towards it. And, um, I found myself always going for these darker places and – people identify with that.
We’re very interested in helping individuals on the autism spectrum cope and learn about social interactions and regulating emotions.
Healthy shame is an emotion that teaches us about our limits. Like all emotions, shame moves us to get our basic needs met.
I had the conviction that lovemaking fools you. The overpowering emotions it induces make you think you’re sharing the same feelings as the other person and that they’re imagining the same as you.
When I passed the age of 50, I learned how to control my emotions.
When you’re acting and you need to cry, you want to put yourself in a position where you’re trying not to cry, because that is generally what people try and do. They try to hold on to their emotions, they don’t want to lose them.
My mind moves very fast. I go through a lot of moods and emotions.
Emotions have no place in business, unless you do business with them.
Yes, online privacy is a real problem that needs to be addressed. But even the best privacy laws are only as effective as our Paleolithic emotions are resistant to the seductions of technology.
I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn’t mean the poems are simple, just that they are as truthful as I can make them.
Everything we do is for the purpose of altering consciousness. We form friendships so that we can feel certain emotions, like love, and avoid others, like loneliness. We eat specific foods to enjoy their fleeting presence on our tongues. We read for the pleasure of thinking another person’s thoughts.
I think recharging is important, absolutely. Every now and then, you need maybe a couple of weeks to just chill out and let your emotions balance themselves out a little bit.
Some of us are only going to show our emotions while we’re actually vulnerable. But that’s what makes us human.
You can’t but know that if you can capture the emotions of the audience as well as their minds, the play will work better, because it’s a narrative art form.
The emotions have been seen as the center of woman’s soul. For that reason, emotional formation will have to be centrally placed in woman’s formation.
Early in last season, George was very worried about other people’s emotions, especially how they saw her, and felt she was outside looking in. This year, she still hopes people will accept her for who she is, but if they don’t, she’s OK with that.
My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That’s the part I’m utterly addicted to.
To be a performance artist, you have to hate theatre. Theatre is fake… The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
Sometimes you can just step into the character, and you get all your feelings and emotions just from sympathizing with her and being her. But then, other times, you just have to resort back to anything that you’ve been through in your own life and try to play that.
For us political activists and candidates, the morning after any election is a mix of emotions – the personal and the immediate, the culmination of your own recent campaigning efforts; and the fortunes of your party and the success or otherwise of what you stand for and believe in.
Horror stories give us a way of exhausting our emotions around social issues, like a woman’s right to an abortion, which I always thought was the core of ‘Rosemary’s Baby,’ or the backlash against feminism which I always thought was the core to ‘Stepford Wives.’
All I wanted to do was read, to be told stories. Stories were full of excitement and emotions and characters that entertained and often inspired.
People forget that I’m a human being, just because I play a sport that everybody loves. We’re human. We’re not invincible. We share the same feelings and emotions that people on the outside feel. I don’t think people really understand that.
I could always flip between emotions and be available to suddenly do something new. I think it’s a part of playing, and you hang onto it when you’re a kid.
At the end of your life, it’s friendships, emotions and thoughts that you take with you, rather than what’s in your bank account. So, even though people don’t have a lot here, they are a lot richer in many ways and we can learn from that.
A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them. There is no such thing as bad art.
I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success… such emotions make a man forget food, sleep, friends, love, everything.
It is also difficult to articulate the subtleties in cinema, because there aren’t words or metaphors which describe many of the emotions you are attempting to evoke.
Part of the problem with America is that letting go of emotions is viewed as a weakness, but it’s my strength. That enabled me to write my songs.
The Japanese have a strong tendency to suppress their own feelings. That’s the Japanese character. They kill their own emotions.
But I’m not interested in politics. I lose interest the microsecond it ceases to be emotional, when something becomes a political movement. What I’m interested in is emotions.
Over the years, I have been asked to play these sort of scary frenetic characters that express their emotions physically.
A lot of women don’t know how to vent and deal with emotions.
I think either you’re creative or you’re not. In general, I don’t think you need to be in pain to actually be creative unless you’re writing love songs. Then you might need to have some ups and downs within your emotions to start to capture that.
The striking thing about ‘New Girl’ is that under all the comedy, there’s something about the emotions and reactions that feels very real – much more real than other sitcoms. Like – maybe everybody is sort of laid bare in different ways.
Well, I’d say all of us are a combination of moods and emotions. In my day to day life I don’t go around skipping, but at times one can feel sheer exhilarating joy at the world.
Memories, impressions and emotions from the first 20 years on earth are most writers’ main material; little that comes afterward is quite so rich and resonant.
On ‘Love Letters‘, I focused exclusively on songs with lyrics, creating a collection of songs that directly address heartbreak and its ensuing emotions in a way that instrumental music can only hint at.
When you dominate other people’s emotions, the time has to come when you will have to pay, and heavily, for that privilege.
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it’s a nice way to neutralize that polarization.
I want my boys to have an understanding of people’s emotions, their insecurities, people’s distress, and their hopes and dreams.
Emotions are the same to all human beings. But there is some difference in the way people react to situations.
I’m just basically spillin’ out my emotions to the world. ‘Cause rap is about emotion. And I want you to feel what I’m feelin’, ’cause that’s what it’s all about.
Emotions serve characters’ purposes. That is their motivation.
I acknowledge the privilege of being alive in a human body at this moment, endowed with senses, memories, emotions, thoughts, and the space of mind in its wisdom aspect.
Rap for me is like making movies, telling stories, and getting the emotions of the songs through in just as deep a way.
Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does.
Since I am first of all a character writer, that character’s emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
I focus on the elements of a movie that are meant to invisibly affect me as a viewer. The edges. As an author, I’m aware of how the subconscious things can pluck at a reader’s emotions, and I love it when filmmakers do the same.
Film is such a very good tool for communicating emotions, and all designers and creative people look to inspire an emotional response.
One may not regard the world as a sort of metaphysical brothel for emotions.
If your work isn’t exciting, doesn’t stir the emotions, where’s the challenge? Where’s the progress if you always play it safe?
My intellect has always been more responsible than my emotions for how I respond to the world.
If the fluctuations in your investment portfolio are reduced, the impact of emotions and behavior on your account is also reduced.
Yes, I do often write poems from the mind, but I hope I don’t ignore feelings and emotions.
Emotions may win arguments, but they don’t win wars.
In the world of money and investing, you must learn to control your emotions.
The audience likes their emotions to be touched. They want to laugh and cry and feel good.
The history of fiction is about family – an inexhaustible subject for literature. We are creatures driven by emotions that are on high display in intimate relations – inside the family.
