Here we have the best Fred Armisen Quotes. Find the perfect quotation from our collection.
Since I was, like, an infant… I remember being in love with television. I loved listening to music. I wanted to be on records, and I wanted to be on TV.
That’s one of the great things about Los Angeles, that people just play music, and it’s all very welcoming and welcomed.
The Long Island experience is so strange. You’re a satellite around the city, so the presence of the city is always looming.
I’m obsessed with my 20s. I buy things that I wanted in my 20s. It’s weird; it’s a weird thing that I didn’t grow out of.
I loooved Sleater-Kinney like a crazy person.
My father came from Germany. My mom came from Venezuela. My father’s culturally German, but his father was Japanese. I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I’m not very familiar with Mississippi.
I started comedy in, like, 1998.
I will admit that I purposely stress myself out. But I think I like stressing myself out. There’s a glamour to, like, ‘I’ve got to get to the airport!’ I just like the caricature.
There’s almost no such thing as a hipster.
Something about Portland just really resonated with me.
I think a comedian has a more specific job. Whereas a musician can fall into different categories, you know, of making background music or doing a soundtrack or wanting to be in a band or writing the song, or writing your own songs. And then comedy is a very black and white thing. You want to make people happy.
Surround yourself with people you like and respect; surround yourself with people you just want to be around and keep making things.
I tend to think that there is a sophistication to everything at ‘Saturday Night Live,’ including the sketches.
Discomfort is the way to go if you want to make something you feel is worthwhile.
The worst art is when it’s really convenient and comfy.
Ever since I was really little, I started doing a – I don’t know how to put this – mentally challenged person on my street. I meant no harm by it, but I remembered how this person talked, and I did it for my mom, and she was not into it. She said, ‘You can’t do that!’ But my dad really laughed.
I travel a lot. I’ll go back and forth, you know, West Coast–East Coast, but it’s separated by segments. So it’s not a daily thing.
Talking Heads were a big influence on my comedy. For David Byrne, every album had to be different. With ‘Portlandia,’ every season has to be different. You gotta reinvent the look, all of it.
Every music journalist I’ve ever met has been stunningly beautiful.
Sometimes in Portland I’m like, ‘Who is funding this city?’ It’s doing great – there’s all these new shops; there’s a synthesizer store. Where is this coming from?
I really like Au Revoir Simone.
There are people who are genetically made to start record labels, and I’m not one of those people. People just have it in their blood and are good at it. Corey Rusk from Touch and Go and Ian MacKaye. These are people who have made their own labels.
I’ve met Tony Danza. He was really nice. And he looks… I feel like he hasn’t aged. He looks exactly the same. He’s just Tony Danza. He’s exactly the same as he’s always been.
I have the capability to have a close relationship with someone.